Which Animation Studio Produced The Anime Adaptation Of "Xxxholic"?

Day 1 of Annecy 2021 brought a host of Netflix reveals, including new Kids and Family unit shows like Centaurworld and Karma's Earth , Shion Takeuchi and Alex Hirsch's "shadow government conspiracy" developed blithe comedy, Inside Job , a very promising terminate-move dark one-act anthology series, The House , and the billed every bit an fifty-fifty edgier (i.eastward., raunchier) Large Mouth spin-off, Human Resources .  Day 2 of Annecy 2021 fifty-fifty brought more nifty Netflix reveals, including four upcoming anime titles, with initial concept art, presented during their Tuesday Studio Focus Panel.

As he introduced the get-go projection, The Witcher: Nightmare of the World, a highly-predictable animated prequel to the streamer's hit alive-action The Witcher series, Netflix anime producer Kohei Obara noted, "Anime is a powerful artform that has been captivating people for many decades, including us at Netflix. We take always celebrated and championed this special medium and its many creators and fans from around the globe. We are truly committed to being a best-in-class home for fans and creators. This year lonely, we will be premiering about 40 new anime titles, close to double the number nosotros brought to fans last year."

Take that in for a moment. 40 new anime titles.

Now, on to the world of Geralt. Or, to be more precise, what was happening earlier he so eloquently and charmingly graced our screens, oftentimes bathed in "stuff" released past his blade from the belly of a monster. Or just hung over.

In The Witcher: Nightmare of the Globe, we will learn that earlier Geralt, in that location was Vesemir -- a self young witcher who delights in slaying monsters for money. When a unsafe new power rises on the Continent, Vesemir learns that some witchering jobs are virtually more than than just money…

Vesemir, you should note, is also Geralt's mentor. The series focuses on non only who he was as a male parent-figure to Geralt, but also how he himself was mentored, who he was before Geralt, and how the universe of The Witcher has changed over many generations. "The core of The Witcher is family unit," the show's creator, executive producer, and showrunner Lauren Schmidt Hissirch said. "Families are multi-generational. Families aren't just a mother-figure, a father-effigy, and children. As a female parent, the things that I teach my children, I learned from the generation ahead of me that they learned from the generation ahead of them. And when we run across Geralt in The Witcher, he'due south a total-fledged adult… he's 100 years quondam, he's been living on his own for a very long fourth dimension. But you can't aid just wonder, how did he learn the things he now practices regularly? How did he learn the things he'southward at present going to teach Ciri?"

Noting that many people fell in honey with the series who didn't know of the books, or weren't fantasy fans, she added, "I promise that nosotros're able to find a lot of The Witcher fans who get anime fans, and the reverse."

Series writer and producer Beau DeMayo shared that he wanted to create a story that was "very personal to The Witcher earth and its history and felt very human, despite the fact that we would have all these fantastical elements surrounding it," calculation that "I wanted to make sure we were telling a story that could only be told in blitheness and that really took advantage of what animation tin can exercise, both visually and emotionally."

With animation production by Studio Mir, the series is created, executive produced, and showrun by Hissrich, directed and co-executive produced past Kwang Il Han, and produced past DeMayo, who is also writing the screenplay.

Sadly, there are no assets to share.

Hissrich previously was co-executive producer on Defenders and Daredevil for Marvel/Netflix and on Daredevil for Marvel/Netflix. DeMay is a writer and producer known for The Witcher (2019) and The Originals (2013). Han is known for his piece of work as an animator and blitheness director on The Last Airbender, and a storyboard creative person and an animation director for The Legend of Korra.

Adjacent, the panel shared Super Crooks, an anime accommodation about a small-time cheat, Johnny Bolt, who recruits the ultimate crew for one final heist -- for real! This superpowered heist about viii super-villains is jam-packed with activeness and told in 13x30-minute episodes lushly produced by Basic (My Hero Academia, Mob Psycho 100, Godzilla Atypical Point), and directed past Motonobu Hori, with character designs by Takashi Mitani. Based on the original graphic novel of the same proper noun by Marking Millar & Leinil Yu, the series is likewise created by Millar with original grapheme design by Yu, concept fine art past Stanislav Brunette, and graphic symbol design and animation led by Takashi Mitani. Music is equanimous past Dai Sato.

So, we heard near "A Brothers Grimm Anime Projection by Clench & Netflix."

What, pray-tell, might that mean? Well, it's described every bit a brand-new project based on the "Grimm's Fairy Tales," which are well known to anybody, but with an entirely new and mod twist, boldly bundled with a splash of horror and suspense. Ah, only of class! The mangaka-team Clench will handle graphic symbol designs, with WIT Studio (Great Pretender) producing the animation. It's being written by Michiko Yokote,

CLAMP is a artistic collective consisting of four women: Igarashi Kanzuki, Nanase Okawa, Tsubaki Nekoi, and Mokona. In 1989, CLAMP fabricated their commercial debut with their series "RG VEDA (Shinshokan)" which was followed by numerous other serial including classics like "Tokyo BABYLON," "X," "Magic Knight Rayearth," "Cardcaptor Sakura," "ANGELIC LAYER," "Chobits," "Tsubasa - RESERVoir Chronicle-," "xxxHOLiC," "Kobato," "GATE seven," "Elevate & Drop," and other titles. As of 2017, more than than 100 million copies of Clench'southward work have been sold In Nippon solitary, with many of their titles also having been published overseas, including the United states of america, France, Federal republic of germany, Mainland china, Taiwan, and South korea.

Last merely non least, we learned of Thermae Romae Novae, a comedy series adapted from Mari Yamazaki's popular manga, but with an entirely new twist ("Novae" pregnant "new" in Latin): Lucius, a bathroom designer in the Roman Empire, accidentally slips dorsum in fourth dimension to present day Japan and learns about Japanese bath civilisation. I think a Geralt "Hmmmmmmm" is in gild here. The show is directed by Tetsuya Tatamitani, written past Yuichiro Momose, with blitheness produced past NAZ.

Yamazaki was born in Tokyo on April 20, 1967, moving to Italia at 17 to attend the National Academy of Fine Arts in Florence, where she studied art history and oil painting. She began working as a manga artist in 1997, living in Syria, Portugal, and the United states before returning to Italy in 2013. In 2010, she won the third edition of the Manga Award for "Thermae Romae." In 2015 she won the Tezuka Osamu award (department "story," as well for Thermae Romae) as well equally the "New Face" award of the Japanese Ministry building of Education. In 2017 she was awarded the rank of Commander of the Club of the Star in Italy. She is currently working on ii series: "Pliny" and "Gli Artigiani; The Craftsmen of Renaissance" together with manga creative person Tori Miki.

Source: Netflix

Dan Sarto is Publisher and Editor-in-Main of Animation World Network.

Source: https://jameswassion.blogspot.com/2021/11/which-animation-studio-produced-anime.html

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